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Podcasts from Spectator writers
For those of us who have followed Korean film for many years, the triumph of Bong Joon-ho’s Parasite, Park Chan-wook’s The Handmaiden or the living-dead series Kingdom on Netflix came as no surprise
By Lawrence Osborne
Unresolved conflicts swirl around Thailand’s institutions
Korean film has mastered the supernatural horror genre
Bangkok’s unraveling was easy to see coming
Thought-provoking commentary and opinion on politics, books and the arts.