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Film
Film
The intriguing revival of the British gangster picture
By Alexander Larman
Film
Reconsidering Paul Thomas Anderson’s
Inherent Vice
By Amelia Butler-Gallie
Film
How to write the perfect modern screenplay
By Rod Liddle
Television
Netflix’s
Avatar: The Last Airbender
is a turkey
By James Delingpole
Film
Dune: Part Two
has lots of sand
By Deborah Ross
Television
Netflix’s
One Day
is immaculate
By James Delingpole
Book Review
Edward Zwick on his hits — and his misses
By Alexander Larman
Film
Is Marvel dying?
By Ella Dorn
Film
Does Joan Crawford deserve her bad reputation?
By Mitchell Jackson
Film
Werner Herzog on traveling, raising children and hospitality
By Mary Wakefield
Film
Chicken Run: Dawn of the Nugget
won’t disappoint the kids
By Deborah Ross
Film
The Spectator
’s critic who changed cinema
By Igor Toronyi-Lalic
Film
Maestro
is a masterpiece. How did Bradley Cooper do it?
By Damian Thompson
Film
Ridley Scott’s
Napoleon
is a bit too short
By Deborah Ross
Film
Have we misunderstood David Fincher?
By Alexander Larman
American Life
Revisiting
Gettysburg
By Bill Kauffman
And Finally
In praise of Hallmark Christmas movies
By Daniel Darling
Film
Dream Scenario
is the most Nicolas Cage film
By Deborah Ross
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