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Martin Scorsese
Film
Has
Barbie
been snubbed at the Oscars?
By Alexander Larman
Film
How Marvel lost its way
By Alexander Larman
Film
Killers of the Flower Moon
captures the singular sensation of outside-ness
By Aaron Gwyn
Film
Never-ending but epic: Scorsese’s
Killers of the Flower Moon
By Deborah Ross
Film
Why didn’t William Friedkin get much credit when he was alive?
By Alexander Larman
Film
Napoleon
heralds the return of the man’s movie
By Alexander Larman
Film
Killers of the Flower Moon
could be Scorsese’s best film yet
By Alexander Larman
Film
The Criterion Collection gets with the times
By Adrian Nguyen
Film
Indiana Jones and the absurdity of Hollywood de-aging
By Alexander Larman
Film
Happy birthday Martin Scorsese, the Don of movies
By Alexander Larman
Home
Viva Las Vegas?
By Riva-Melissa Tez
Books
Chinatown — that late masterpiece of film noir — could never be made now
By Max Décharné
Art
Is he talking to us?
By John Waters
Art
Ricky Gervais gives Hollywood the thrashing it richly deserves
By Brendan O’Neill
Art
If you like Joe Biden, you’ll love The Irishman
By James Delingpole
Art
Who killed the American arts?
By Dominic Green
Art
If you ever want to sleep again, step away from Joker
By Deborah Ross
Art
Bob Dylan is rum and cokey
By Dominic Green
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